The day after I tried to kill my mother, I tossed some clothes, a pair of hiking boots, a baseball cap and a few toiletries into my backpack, and left at dawn.
Patrick has always considered himself a good son. Willing to live his life to please his parents, his sense of duty paramount to his own desires and dreams. But as his mother’s health continues to deteriorate and his siblings remain absent, he finds the ties that bind him to his mother begin to chafe. After an argument leads to a violent act he travels to a familiar country retreat to reflect on what his life could be – and through a chance encounter with a rare animal and an intriguing stranger starts to wonder if perhaps it is not too late to let his heart run wild.
~
published by Ultimo Press (Hardie Grant) in 2022
PRAISE
‘My Heart is a Little Wild Thing is a devastatingly emotional but ultimately hopeful exploration of love, family and place. The natural world takes centre stage, with Jimenbuen, the location of the farm, playing a role almost akin to that of a character. Patrick is transformed by his experiences at Jimenbuen with Lewis, but the land itself – its isolation and wilderness – also provides a place of safety and freedom from the guilt and frustration Patrick experiences stemming from his difficult relationship with his mother. Every location is rendered in precise, attentive detail: the barn in Jimenbuen, the streets of Sydney, and the sleepy country town where Patrick lives. Featherstone interrogates the power of love and the natural world in Patrick’s life, crafting a compelling and moving read’ ~ ArtsHub
‘I loved this delightful novel and the journey it took me on. Patrick’s character is finely observed, and his growth, sexual liberation and preparedness to come out as he hits 50 are beautifully scrutinised. A remarkable look at Australian masculinity and its meaning’ ~ Newtown Review of Books
‘Epic in its intimacy... It’s a triumph of a book about the timeless theme of how romance can be obstructed by a suffocating mother’ ~ Peter Polites, author of The Pillars and Down the Hume
‘Rhythmic prose and an unflinching ability to paint the human experience with effortless lyrical ease’ ~ Hercanberra.com
‘A poignant and ultimately hopeful novel about how it’s never too late to find courage or connect with joy. I was captivated by the elegance of Featherstone’s prose and the quiet power of his voice’ ~ Delia Falconer, author of Signs and Wonders and The Service of Clouds
‘You can’t help but be changed by reading this beautiful, exquisitely well-wrought and richly poignant novel which dwells in the quiet, pause-filled places of life while fomenting a revolution that sees one wounded, stoically lost man find a new purpose and home, far from the ordinariness of life and off where it is still possible, because My Heart is a Little Wild Thing is always gently adamant that it IS possible to find our true self, realise your hopes and dreams and go to wild and unpredictable where the sun has not yet set on possibility’ ~ Sparkly Pretty Briiiight
‘Entrancing, multifaceted, melancholic and yet full of joy, what ultimately makes this book sing is the sheer weight of human experience underpinning every one of its moving parts’ ~ Sam Coley, author of State Highway One
‘A contemplative portrait of a man bound by a strong sense of duty to his family as he learns to overcome a lifetime of trying not to rock the boat to allow himself to find pleasure… This is a novel whose charm rests in part in the accumulation of quiet detail and perceptive observation: the fleeting appearances of an elusive tiger quoll; Patrick’s comment that “in the end all buried things have a way of coming to the surface”. Its depictions of landscape are evocative; its sex scenes tender and frank. At one point, Patrick recollects the scent of sunscreen and salt water associated with beach visits, describing it as being “about freedom, and the extraordinary ordinariness of human life”. The same is true of Featherstone’s yearning, intimate novel’ ~ West Australian
‘A bloody great book: a love-letter to land and memory, and to being one’s true self’ ~ Mandy Beaumont, author of The Furies
‘A life unfurls. A beautifully told story’ ~ Tasmanian Bibliophile at Large
‘A balm for your heart and mind. A meditation on love and sex, mother-son relationships, what you owe yourself versus your family, the wild beauty of the Monaro, memory, ageing and so much more. Tender and beautiful, dotted with shards of pain. I loved it’ ~ Dinuka McKenzie, author of The Torrent
‘Featherstone depicts life in all its complexity and contradiction, capturing the comparative freedom of childhood but also the long shadow it casts when it has taught you to repress your true self. My Heart is a Little Wild Thing shows that ephemeral connections can be just as meaningful as the grand, enduring relationships our society venerates’ ~ Canberra Times
‘Oh, my heart, this beautiful book’ ~ Mirandi Riwoe, author of Stone Sky Gold Mountain and The Burnished Sun
‘My Heart is a Little Wild Thing is a coming-out novel, albeit one with a significant difference. Most coming-out narratives focus on youthful protagonists, whereas Patrick is in his early fifties. His queerness is not so much a sudden revelation as a force that has bubbled silently in the background, occasionally acknowledged but seldom acted on. Patrick’s voyage of sexual discovery is paralleled with his quest to learn more about his increasingly frail mother. Neither mission is straightforward; Featherstone avoids easy answers and simplistic psychologising. A welcome contribution to the field of Australian queer fiction’ ~ Australian Book Review
‘Beautifully told, magically-realised’ ~ Canberra Critics Circle
‘Nigel Featherstone weaves a remarkable story of the possibilities of love, the cruelty of duty and the magic of place. Bringing the Monaro to life in prose that quietly sparkles, My Heart is a Little Wild Thing is a story of self-discovery that sits separate from anything I’ve ever read. Featherstone’s novels are unforgettable gifts’ ~ Booktopia
‘Beautiful and disarmingly honest, this is a searing meditation of an urgent quest for self-meaning and deep love – and about what being a ‘good child’ and a complete adult means’ ~ Paul Daley, author and journalist
‘A poignant coming of age – and in this era of extended life cycles, it’s possible the coming of middle age is as significant as adolescence, if not more so. Featherstone’s writing is spare and understated; its frank realism exposes Patrick’s wild heart with a relatable vulnerability’ ~ Mindful Puzzles
‘The voice of My Heart is a Little Wild Thing is laconic, grim, masculine, withheld, but through the darkness it also holds a sweetly earnest, genuine hope – Patrick’s desires shine through’ ~ The Saturday Paper
‘My Heart is a Little Wild Thing is a brilliant and deeply evocative novel that breaks your heart and hints that, if you trust it enough, it will lovingly piece it back together. Powerful, tender, visceral and sublime – a must-read piece of Australian literature’ ~ Holden Sheppard, author of Invisible Boys and The Brink
‘A novel about what it means to yearn. It is a portrait, surely, of many of us – those wondering if this is our place, our lot, our future. We learnt in Featherstone’s first novel, Bodies of Men, that he is a writer who understands human fragility. With My Heart is a Little Wild Thing, he has cemented his talent and allowed us an intimate view into another person’s heart. It is a gift’ ~ Readings
‘The heart might be a little wild thing, but this novel is a little beautiful thing – and not so little at that’ ~ Whispering Gums
‘Despite a thrilling, dramatic first sentence, Patrick’s story is far gentler and more indelible than we first think ~ full of childhood memories and stunning scenes of the Monaro. My Heart is a Little Wild Thing is a story about the small acts of bravery and love we incorporate into our everyday lives. A gorgeous, tender morsel of a story’ ~ Roaring Stories
‘Nigel Featherstone’s latest novel is an intense emotional journey, across longing, loss, letting go and embracing the unknown. A reading experience to savour and revisit again and again’ ~ Melinda Smith, author of Drag Down to Unlock or Place an Emergency Call
‘My Heart is a Little Wild Thing is a beautifully constructed and written book; it cleverly tangles the reader in every aspect of its telling. It moves us with its compassion, its vivid depictions of nature and its complex explorations of the human condition. Here is a truly astute writer utterly in control of his art. Featherstone’s fluid, stream of consciousness narrative style is an immediate hook. There is not a breath of hesitation as the reader plunges into Patrick’s story, into his mind and his world. We feel for him, we wish him well, we wish he’d take something for himself. And we exult when he does’ ~ Living Arts Canberra
‘My Heart is a Little Wild Thing beautifully explores the permutations of love – of intimacy and sex, and of connection and belonging. This is a novel that will stay with me’ ~ R.W.R. McDonald, author of The Nancys and Nancy Business
There is nothing more important than love and refuge.
Egypt, 1941. Only hours after disembarking in Alexandria, William Marsh, an Australian corporal at twenty-one, is face down in the sand, caught in a stoush with the Italian enemy. He is saved by James Kelly, a childhood friend from Sydney and the last person he expected to see. But where William escapes unharmed, not all are so fortunate.
William is sent to supervise an army depot in the Western Desert, with a private directive to find an AWOL soldier: James Kelly. When the two are reunited, James is recovering from an accident, hidden away in the home of an unusual family – a family with secrets. Together they will risk it all to find answers. Soon William and James are thrust headlong into territory more dangerous than either could have imagined.
~
published by Hachette Australia in 2019
AWARDS
longlisted for the 2020 ARA Historical Novel Prize
runner up for the 2020 ACT Book of the Year
shortlisted in the 2019 Queensland Literary Awards / University of Queensland Fiction Book Award
2019 Canberra Critics Circle Award
PRAISE
‘A remarkable story of discovery and fidelity – setting, description, action at break-neck speed, and a bitter-sweet ending. Alexandria, its laneways, gardens and souks, and private, enclosed homes, is drawn with such clarity that the city becomes a character in its own right’ ~ Canberra Times
‘Bodies of Men is a timeless novel of love between men in wartime. While its elegant structure turns on revelations of truth and cleverly employs the tropes of traditional romance, every corner of this story is stained by a brutal and typically Australian masculinity. Details of military life are faithfully rendered, demonstrating the depth of Featherstone’s research: from the maddening desert storms, to the quirks that develop in the relationships among men; the endless training and boredom of army life, contrasted with the sudden drama of attack; and the soul-wrenching devastation that follows action. James and William themselves are such richly drawn characters, who endure well beyond these pages. Bodies of Men is, most wonderfully, a novel that says sweetness and strength in a man make for no contradiction but are two halves of a whole, and that shows each man, in his own way, is a ‘dangerous story’ ~ Newtown Review of Books
‘A beautifully written, tender and sensitive love story told within the tense and uncertain context of war’ ~ Karen Viggers, international best-selling author of The Lightkeeper’s Wife
‘Set in Egypt in 1941, Bodies of Men depicts a tender love story complicated by the conflicted loyalties of war. Distrust, prejudice, secrets and shame compete with friendship, respect and refuge in this tense narrative of desire, sacrifice, persistence and the life-changing risks we are prepared to take for love’ ~ 2019 Queensland Literary Awards: judging panel’s comments
‘I was unexpectedly blown away by Bodies of Men and its evocative and unpretentious writing. Just the thing for readers of Sebastian Faulks’ ~ Booktopia
‘Bodies of Men offers a thoroughly humanising depiction of Australians during World War II. In telling the story of two soldiers, William and his childhood friend James, Featherstone reflects upon the brutality, drudgery, and absurdity of war but also on the two men’s love and regard for each other. He weaves a compassionate tale but one that contains multiple layers of tension. It is also persistently surprising, as if the author has found a way to keep the ground beneath the characters – and readers – constantly shifting. Although William and James dominate the story, Featherstone draws upon a range of intriguing, deftly drawn characters; his characterisations of women are particularly rich and complex. Yetta is fascinating for her motivation, poise, and vulnerability, for the glimpses she offers James of her inner world and personal history, for the solace she takes in working and harvesting her tiny garden, for the force of her views. Featherstone’s depiction of war and wartime relies little on grand battles between armies or the machinations of Great Leaders. It is affecting and nuanced because he dwells on emotions and because the bubble of war in northern Africa remains connected in multiple ways – emotional as well as geopolitical – to the wider world. At times, the prose is reminiscent of Thomas Keneally’s keen and extended gaze, his swirling, exuberant dance with history. Featherstone also has a fine eye for small detail, whether it’s the dust and wind of the desert or the narrow streets of Alexandria, and for phrasing that disarms. The simplicity of the prose both anchors and elevates the story. This is also a novel about intimacy and devotion, the power of tenderness, the mysteries of time, presence, and absence, secrets revealed and withheld, and friendships between strangers emerging from dire circumstances’ ~ Australian Book Review
‘A sensitive and delicately woven love story. Featherstone has captured a rare moment in time’ ~ Bluewolf Reviews
‘A towering work that accomplishes so much in its 324 exquisitely well-judged pages, Bodies of Men is testament to the fact that beauty can emerge in the most extraordinary of places, that love finds expression in ways so multitudinous that we do it a disservice by corralling it within narrow confines, and that the greatest thing we can often do for ourselves is to ask “Why not?” and keep pushing forward until we get an answer’ - Sparkly Pretty Briiiight
‘Bodies of Men is a war novel that questions war. Courage and risk-taking, passion for a cause, recklessness, fear, commitment to helping others, tenderness and kindness – all of these come into play. And, as in all good novels, there are no simple answers. A love story this might be, but a genre romance or war-story it’s not. It’s a page-turner, underpinned by a fundamental understanding of humanity’ ~ Whispering Gums
‘A beautiful story, so deftly constructed. And the characters. And the prose. Bodies of Men is a wonderful book’ ~ Sara Dowse, author of As the Lonely Fly
‘Bodies of Men is not a typical war story. There is a sensuousness in the writing that is felt in almost every scene. The evolving romance between the two men is tender and erotic, often at the same time, a great accomplishment by Featherstone, who writes such scenes with panache. The lightness and poetry of his prose makes for a scintillating, unforgettable read’ ~ Verity La
‘Definitely a page-turner. The Australian soldiers are flawed figures. They have vices and commit crimes. They also have the full range of emotions and psychological responses to killing and seeing their mates wounded. They are vulnerable men, and this portrayal humanises them in such a way as to break away from the one-dimensional, glorious portrayal of Australian servicemen characteristic of Anzackery’ ~ Honest History
‘Spare, elegant, beautifully written’ ~ RIOTACT!
‘Bodies of Men is a profoundly moving piece of fiction from a perceptive writer’ ~ Mrs B’s Book Reviews
‘A strangely gentle novel about wartime conflict, violence and chaos. Featherstone explores the emotional currents running between friend and friend, child and parent, lover and lover. The novel is set in a time and place where everyone is vulnerable and anyone might be shot, betrayed, captured or abandoned, but love of all kinds endures’ ~ Sydney Morning Herald
‘Bodies of Men is a novel set in wartime, but it is so much more than a war novel. The war, the threat of death, the horror of the need to kill, the demands and rigours of army structures are a dark presence, hovering always, demanding courage and discipline. But instead of accounts of battles and heroism, the war is shown up close, in the encounters of individual people: the personal cost of killing another human and the cost of not killing. Among all this, we are drawn into the gradual emergence of a relationship between two men, James and William, so different and yet so right together. Their relationship is painted with remarkable insight: tentative and vulnerable but also incredibly strong. It is a love that grows with its own kind of bravery and tenacity, and – what I particularly loved – a sense of adventure. It is beautiful, even thrilling, to watch the way the tenderness between them has a particular power that draws them back to one another time and again. It gives them a courage that the army, and society in general, cannot understand. And how much I admire Featherstone’s portrayal of the women; they are honest, wise and strong, surviving and caring, doing what needs to be done. Finally, I especially love the space the novel opens up. The short scenes, sometimes deceptively simply, evoke place and character, but they also create an openness that invites ideas and questions. It takes the reader seriously, asks us to honour the story with our own thoughts. The ending does that impossible thing: it is inevitable but unpredictable. I’m still thinking about what might come next for William and James’ ~ Robyn Cadwallader, author of The Anchoress and Book of Colours
‘This is not a typical Australian WWII novel recounting stories of heroic deeds and courageous resolve. For starters, the two main characters, James and William, are in love with each other, but even the secondary characters are fascinating’ ~ DNA Magazine
‘A beautiful, lyrical, elegiac book of love and war. A different take on men and conflict, and a war story like no other’ ~ Michael Brissenden, author of The List
‘Bodies of Men is an intriguing story that draws you in. Featherstone brings alive the city of Alexandria, the desert landscape, as well as the complexities of people from different nationalities and backgrounds, thrown together, escaping from the war in Europe, people with secrets. We empathise with the young men, in dread of secret organisations and the brutal Provost Corps, trying to find a way to be together. A beautifully written and tender love story’ ~ ReadPlus
‘A fresh and poignant story that builds on the tradition of military fiction and reinterprets it with a historical perspective that certainly existed but has rarely been told. Featherstone has a knack for finding the beauty in something that is rarely conceived of as beautiful or valuable outside its usefulness: the male body’ ~ Tinted Edges
‘[Featherstone] beautifully portrays the physical and social environment of Alexandria (think Cavafy). The writing is exemplary, never trying to over-emphasise but always highly descriptive and easy to absorb and visualise. The final section glides quite seamlessly through what happens in the more distant future – prepare to be led to the edge of a precipice. The title works at so many levels and is a constant reference to the struggle to define masculinity and male behaviour in any society’ ~ Queer Readers
‘Unafraid of emotion, though without a moment of wretched sentimentality, Bodies of Men magnificently conveys love, courage, endurance and comradeship straining against the cataclysmic backdrop of World War II. With unobtrusively elegant prose, Featherstone has crafted a vivid evocation of the arduous complexities of love between two men inured by the traumas of conflict. The result is something very special indeed: equal parts compelling, harrowing, and tender. With exquisite artistry, Featherstone writes about people trapped in a tragic situation struggling to reconcile their responsibilities and desires’ ~ Writtenbysime.com
‘A resonant and thematically rich experience. Featherstone has managed to find a corner of that war that has not been particularly well explored and wartime relationships between soldiers that have not often found their way into print. There is plenty that sets Bodies of Men apart from the traditions that it draws on’ ~ PS News
‘One of the most sweeping and cinematic yet intimate and finely etched novels I can remember. A war story, a love story, an evocation of a time passed from any living memory and a reminder not to let silences linger. I loved this book so much. Bravo’ ~ Gordon Peake, author of the award-winning Beloved Land
‘A beautifully written, tender love story’ ~ Readings
‘Bodies of Men is a captivating and moving love story that acutely measures the deep paradox of the masculine condition – acts of tenderness, cruelty, affection, and fury all cascade upon one another as the lives of these men pulsate through the mind of the reader. Featherstone brings it all together in refined, unpretentious prose – war writing without sentimentality or hyperbole. There are even some ethereal notes of Michael Ondaatje in this. It’s that good ~ The Booktopian
‘Love in all its forms – desire, pleasure, care, respect, companionship, commitment – and refuge of all shades, from the simplest show of honour or friendship to the life-changing risks of offering, or accepting, refuge and safe harbour. I became thoroughly invested in the main characters, and by the end – a nail-biting and tense conclusion – I cared very deeply about what happened to them. This is a story of vulnerability and sacrifice, of persistence, of life-long yearning. It is a story about the many ways of becoming whole’ ~ Cass Moriarty, author of The Promise Seed and Parting Words
‘A beautiful, tender, captivating story’ - Joanna Nell, author of The Single Ladies of Jacaranda Retirement Village
‘Only a few pages into Bodies of Men I felt like the outside world was slowly beginning to fall away. There is something about Featherstone’s writing – his style, his voice, the way he structures and crafts his sentences with so much care and love – that gives an overall atmosphere of quiet and calmness that seeps beyond the pages. Featherstone’s unassuming and gentle style perfectly corresponds to the story crafted and narrated in this novel. It is a beautiful and moving love story between two men – one confident in his sexual identity, while the other struggles with it for the large part of the novel – set amidst World War II in Egypt. I read the last 20 pages of the novel extremely slowly: on the one hand, I wanted to know the end, although I felt where it was leading to, but on the other hand I just did not want this book to be over’ ~ Khulud Khamis, author of Haifa Fragments
From one correspondent to another, I dare you to come and see me.
Following his wife’s death, Mitchell Granville, retired barrister and son of a celebrated politician, spends his twilight years hidden in a village in the Blue Mountains. For company he has his books, his late father’s semi-wild peacocks, and a sculpture of a naked woman’s torso. Over time Mitchell succumbs to loneliness and realises that there is at least one person he needs to rediscover. When he finally makes contact, all does not go as planned. Soon he finds himself being coaxed into a trek that crosses the breadth of his country and the depths of his past.
~
published by Pandanus Books in 2005
PRAISE
‘Amazing grace achieved through devious means. The pathos of Remnants builds patiently towards an ending that is left ajar if it is not exactly indeterminate. A skilled debut’ ~ Canberra Times
‘Subtle, soft, sensitive and subdued. A beautifully written book’ ~ The Mercury
‘An excellent novel, one that is both thought-provoking and a pleasure to read. Featherstone cleverly constructs his plot, providing numerous twists. He keeps the revelations coming at a steady speed, slow enough to avoid turning the novel into a thriller, yet fast enough to keep the reader engaged. Although he does not stun the reader with remarkable lyricism or turns of phrase, like Winton or Carey, Featherstone is a fine writer who stays in the shadows, content to keep the focus on the narrative. In a culture obsessed with youth, it is refreshing to read a novel that examines the life of an elderly man’ ~ Antipodes: a global journal of Australian/New Zealand Literature
‘An inversion of the classic road novel, Remnants is a story about how things are different from their surface appearances; about how the ability to see beneath the surface is a necessary part of human relationships; and about the unreliability of memory. Insightful’ ~ Artlook
‘Remnants is a novel about the spiritual and physical journey of one man [and] Featherstone handles this popular topic with great skill and a delicate literary touch. Nothing is finer in a work of fiction than understatement when it is well handled, as it is here. This is a very real Australia. In his quiet, skilful handling of this world and its characters, Featherstone is the inheritor of one of Australia’s greatest articulators of Australian middle class, Randolph Stow. Featherstone is like Stow too, in his rejection of the larger-than-life characterisation for the precision of a finely drawn reality’ ~ Wet Ink
‘Featherstone’s control of the novel’s style ensures a good read. The story line is effectively simple, [creating] an uncomfortable revisiting of the past. Remnants may sell as many copies as The Latham Diaries did in one big shop in one day, but that’s par for the course, especially when it comes to literary fiction’ ~ Island
‘In telling stories of specific individuals in unique situations, novelists illumine important aspects of the general human condition. Nigel Featherstone does this very well in Remnants, a novel that relates directly the post-retirement discoveries of successful Sydney barrister Mitchell Granville. A mature new novelist’ ~ API Review of Books
‘Written with sensitivity and skill’ ~ Eureka Street
~
out of print